Nobody's Property: Living On The Remains Of A Life In Calfornia

Informações:

Sinopse

November 4, 1971Jennifer Rose Cooke, a girl from California, just turned 18, goes missing in a frigid forest in West Germany. She has been hitchhiking. First she caught a ride with a trucker, then with a West German soldier. Maybe she was trying to visit a young professor she had met on the boat over from New York. On that trip, he had heard her say she might throw herself overboard.April 28, 1972Another girl, just turned three, lives with her parents in a house in Laurel Canyon that lets the California rain in. Her biggest fear is of the brown snails in the garden; she will not cross the brick path if one is there. It is her father's twenty-sixth birthday; on this day his sister Jenny's remains are found. Officially, she died "of exposure," although a murder investigation is begun and the file remains permanently open.This is the tale of a relationship only half lived. I have no memories of my Aunt Jenny as a living person. For all of my younger years I knew her only as someone who had died, and the only lessons her story held for me were about death and the probability that the worst would happen. Then I began to write about her. This was the next logical step since for me she was pure story already. While I started trying to find the truth of what had happened to her, I began to see that each person in my family had a different version of the story that suited their particular worldview and satisfied their particular needs. I was no different. In a sense, Jenny's story has become the instrument that I'm singing along to--singing about a childhood in gorgeous 1970s-era L.A., about a friendly divorce; about the changing California landscape, its violent beauty; about traveling with my dad to try to get closer to what happened; and about getting to know something about a living girl who, it turns out, preferred to be called "Rose," not Jenny.I've left Rose alone for a few years, but now we're traveling together again.

Episódios

  • Nobody's Property 15

    28/04/2011 Duração: 31min

    Three o’clock in the afternoon, and Shirley, of Shawnee Memorials, just across Harrison Avenue from Fairview Cemetery, was not taking any shit off my dad. We had come here at my urging; Dad had mentioned that he still needed to order a stone to mark the plot where Jenny’s and Edith’s remains were buried together. I could see that if I didn’t push a little, it wasn’t going to happen any time soon. And the grass in the Rose family plot, though a bit dry and thatched in patches, covered their grave so smoothly that no one would ever know they were there.

  • Nobody's Property 14

    22/04/2011 Duração: 31min

    The sound of pistons pumping, a lawn-mower pulse and wheeze, comes up behind her, and she looks over her shoulder to see the VW coming up fast: black and chrome, some of the shine worn off and anyway looking duller in this flat November light. She keeps her thumbs hooked under the leather of her backpack straps,  walks backward and keeps her gaze straight and sober toward the driver of the car. It pulls over a few paces ahead and stops at an angle on the gravel margin. Under her boots the gray gravel rasps and she doesn't slow down or speed up but keeps up her trudge toward the car. In one version of the story she opens the passenger door herself; in another, the driver pushes the door open and it swings out in front of her like a gate, so that if she had wanted to keep going she couldn't; but she doesn't want to keep going.

  • Nobody's Property 13

    15/04/2011 Duração: 42min

    "I serve with the German Armed Forces. My garrison is Hardheim, where I am stationed at Carl-Schurz-Kaserne. At present, I attend the Bundeswehrfachschule in Tauberbischofsheim. "On Friday, 5 November 1971, I was driving in my VW...from Tauberbischofsheim to Hardheim between 12.20 and 12.30 o'clock. About 200 meters past the stone works on the B 27 I saw a young woman walk on the right-hand side of the road. She did not use the usual signal to indicate that she wanted a ride, but she turned around to face my vehicle. To me, this meant, she wanted a ride, so I braked and came to a halt at some distance ahead of her. When she reached the car, she opened the passenger door and said: 'To Bietigheim.'..."

  • Nobody's Property 12

    08/04/2011 Duração: 29min

    Terminal burrowing can be identified in reports of hypothermia deaths, but has only recently been given a name. It is a behavior pattern observed in the last stages of hypothermia whereby the afflicted will enter small, enclosed spaces, such as wardrobes, cupboards, and closets. Outdoors, the victim may burrow into piles of leaves, the crevices between rocks or fallen trees, or into culverts. Searchers must be aware of the possibility that the missing persons may be thoroughly hidden and too hypothermic to respond to their calls. It is most often observed in moderately cold conditions, when the victim's body temperature falls slowly. These conditions would be found during power outages, or when someone is lost in chilly, but not freezing, weather. See also Paradoxical undressing   --from Wikipedia

  • Nobody's Property 11

    01/04/2011 Duração: 33min

    In Tübingen the houses sit along the River Neckar like nineteenth-century ladies on lounge chairs with flowing skirts and big hats: they look comfortable and bourgeois and unassailable. Like most of Germany. From the bridge over the river you can see a tower, painted yellow now, where the poet Hölderlin went crazy for 36 years: a long, slow burn that might, in other circumstances, be called life. This is where he wrote these words, which I found quoted by Paul Auster in The Invention of Solitude: The lines of life are as various as roads or asThe limits of the mountains are, and what we areDown here, in harmonies, in recompense,In peace for ever, a god will finish there. On the opposite side of the river is a park where I walked with my father under plane trees two hundred years old.

  • Nobody's Property 10

    26/03/2011 Duração: 25min

    Charles had given us maps and a police report when we visited him in Oklahoma City. He pulled out one map, of Hardheim and its surroundings, and pointed. “This is where Jennifer was…uh…murdered,” he told us. At the time, I wondered if his hesitancy over the word indicated uncertainty. But later I found that I, too, was reluctant to say it: murder. Not an easy word. We had this itinerary we’d been given: Jennifer’s last stops on this earth. Did we think visiting them would make sense of things? I tried to tell myself we were on a kind of pilgrimage, which made it sound okay, even more than okay: important. Dignified. There were stations we had to visit. The first was Münchingen—the place where a truck driver had let Jenny off before first light on a cold November morning. The place where she drank a cup of coffee.

  • Nobody's Property 09

    17/03/2011 Duração: 27min

        We had our money out to pay the Lufthansa flight attendant for our drinks—my no-name red wine and Dad’s Glenlivet—and when she moved on without even looking at the fold of bills in Dad’s hand we were practically giddy. Free drinks! It made being stuck in a metal and plastic capsule for eleven hours seem worth it. The flight attendant, a slim German woman with blond hair gathered expertly into a chignon, must have thought us such rubes. We didn’t care. Salt of the earth! Thankful for small favors! Not taking ourselves too seriously, over here in seats 34 A and C; able to live with light irony.      

  • Nobody's Property 08

    10/03/2011 Duração: 38min

    “I’ve been thinking about a trip to Germany,” my father says on the phone one day. “I’m thinking I need to start thinking about Jenny in a new way.” I’ve been thinking that too. And my father: the first thirty years of our time together are over; what are the next thirty going to be like? What will we do in Germany? I’ve thought of going by myself, trying to find some things out. I see myself in a room with a man who was the last person to see Jenny alive. Did he kill her? Or did he just leave her by the side of the road? All these years I’ve waited for Jenny to haunt me, but she’s just kept her peace. That’s a nice way to think about it, that she’s out there somewhere keeping to herself (‘she is just away’). I know it’s not true; I know she’s gone. But him? He was a young guy in 1971. Odds are he’s out there. He’s the one who’s been haunting me.

  • Nobody's Property 07

    03/03/2011 Duração: 28min

    Do you think you are free to live your life? We try to tell ourselves that the worst won’t happen, that we can leave the doors of our lives unlocked and the crazies won’t come through them, or if they do we can talk them down. We search the papers for the reasons behind the senseless murder—the plot. How can we still be doing this? I grew up with the plot in my head: Jenny died hitchhiking. That was the “reason.” That was the “plot.” Her parents sent her there. That was the “pathos,” the “hook.” And so there were ways to prevent dying, to make sure it didn’t happen to you. There were rules to being safe, rather than dead, and these rules chiefly applied to women, because—let’s face it—women who don’t follow the rules don’t deserve to live.

  • Nobody's Property 06

    01/03/2011 Duração: 37min

    Hush-a-bye, don’t you cry Go to sleepy little baby. When you wake, you will find All the pretty little horses. Dapples and grays, pintos and bays All the pretty little horses.   Way down yonder, in the meadow, Poor little baby, crying “mama”. Birds and the butterflys flutter ‘round her eyes. Poor little baby crying “mama”.   Hush-a-bye....

  • Nobody's Property 05

    27/01/2011 Duração: 29min

    A few years ago, my father told me the story of how my Aunt Jenny's remains were shipped back to be put into different ground. Dad called me from Oklahoma to describe how my grandmother Edith stood by while workers dug up the urn from under the small brass marker that barely wrinkled the surface of the grass in Oak Park Cemetery. They opened the urn; Edith looked inside. I could see her standing there, in a tasteful suit and stockings and pumps, her light hair neatly and stiffly styled, bowing her head to see.  “There were actually quite large bone fragments mixed with the ashes," Dad said. The urn was too heavy for Edith to take on the plane from California to Oklahoma. So she shipped it U.P.S. Ground.

  • Nobody's Property 04

    22/01/2011 Duração: 30min

    After my father stopped living with Mom and me, he spent his nights in his woodshop, in the lemon packing house that my grandfather Charles owned. The remains of the citrus groves still grew all around us in Claremont, and an old guy sold wooden crates of local lemons off the loading dock of the packing house: the sole survivor. When I visited my dad's shop there, I was afraid to go to the bathroom, because it was all the way on the other side of the packing house, and the big, scarred wood floor seemed huge, while the hollow building seemed to whisper to me as I crossed it. The packing house sat on the old Santa Fe line, and freight trains would rumble past at random intervals during the day and night. Eucalyptus trees marched straight down the railroad right-of-way, and stony, stubbly fields and a few scattered industrial buildings stretched on either side of them. One night, somebody wandered in from the tracks and, while my dad slept nearby, robbed his jeans.

  • Nobody's Property 03

    20/01/2011 Duração: 21min

    For a few years while I was growing up, a book called How to Do Your Own Divorce sat undisturbed on a bookshelf by our living-room fireplace. It just sat there, its paper spine facing out, between Passages and Last Things. This was in Southern California, on an alluvial fan of the San Gabriels, in a little falling-down house on Twelfth Street in Claremont. We moved there when I was five years old. My father’s parents, Charles and Edith, had fronted him the down payment for the house and planned to hand over the title when Dad came up with the roughly three thousand dollars to pay them back.

  • Nobody's Property 02

    18/01/2011 Duração: 21min

    When I was two years old, my parents and I lived for a while in a cottage up Laurel Canyon. There is a picture of me from this time: I'm wearing toddler-sized cowgirl buckskins, my red hair is in high pigtails poking out each side of my head, I'm smiling, and I'm holding a toothbrush. Remember, this was less than two years after the Manson Family came down from the Ranch and murdered Sharon Tate and her guests up on Cielo Drive. The crazed women tasted blood and used it to scrawl PIG on the door. They crashed more than a party; they crashed a culture. And across the continent and the ocean, people were looking for my Aunt Jenny.

  • Nobody's Property 01

    14/01/2011 Duração: 28min

    I’m on the middle road from San Francisco to L.A., the 101, doing seventy behind a Chevy Chevelle past open-bed trucks hauling vegetables and buses hauling field workers, twin port-a-potties towed behind them. I noticed the Chevelle pulling out from the center divider outside Salinas—the gray dust it kicked up matched the primer that coated its aging body. Now every bus and truck it passes I blow by moments later, easing back into the right lane once I see both headlights in the rearview. I’ve had the feeling before of being in sync with another driver on this long curving road, traveling together with a stranger: the feeling that I'll make it to where I'm going. Because someone else seems to be going there too. Music by Kristin Hersh: http://kristinhersh.cashmusic.org/ or http://www.kristinhersh.com